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c. 1445 – May 17, 1510. Italian painter.

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Jan Weissenbruch
Een straatje in het oude gedeelte van Batavia

ID: 93338

Jan Weissenbruch Een straatje in het oude gedeelte van Batavia
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Jan Weissenbruch Een straatje in het oude gedeelte van Batavia


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Jan Weissenbruch

painted Johan Hendrik Louis Meijer in 1850 - 1866   Related Paintings of Jan Weissenbruch :. | St Quentin | suprematist construction | Madonna with Child | European city landscape, street landsacpe, construction, frontstore, building and architecture. 170 | suzanne pa forstubron-suzanne syende-pa forstubron-verandan |
Related Artists:
William Marlow
(1740 - 14 January 1813) was a British landscape and marine painter and etcher. Marlow was born in Southwark in London, and studied for 5 years under the marine painter Samuel Scott, and also at the St. Martin's Lane Academy, London. He became a member of the Incorporated Society of Artists, and from 1762 to 1764 contributed to their exhibitions in Spring Gardens. He was employed in painting views of country houses. From 1765 to 1768, on the advice of the Duchess of Northumberland, he travelled in France and Italy. On his return to Britain he renewed his contributions to the Society of Artists, and took up residence in Leicester Square, London - he was made a Fellow of the Society in 1771. In 1788 he moved to Twickenham, and started to exhibit at the Royal Academy, showing works regularly until 1796, and again, for the last time, in 1807, when he exhibited Twickenham Ferry by Moonlight. Marlow died in Twickenham on 14 January 1813.
Orchardson, Sir William Quiller
English, 1832-1910
Jacob Heinrich Elbfas
Swedish, born circa 1600-1664,was a portrait painter Elbfas was educated in Strasbourg in a tradition drawing back to Renaissance portraits. He established himself in Sweden from 1622 and from 1628 in Stockholm where he became a guild master. During the period 1634-1640 he worked as a court painter for Queen Maria Eleonora. His was frequently employed by the Swedish nobility and his influence on Swedish art was considerable until a new generation of artists were invited by Queen Christina during the 1640s.






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